Saturday, September 24, 2022

The New Normal: Art and Politics at Vita Art Center

The New Normal: Art and Politics | Vita Art Center, Ventura CA, October 2022
 Main room installation with drawings by Derek Boshier, painting and tapestry by John Nava, wall of works by Dane Goodman 

Works by Deborah Lawrence

Works by Dane Goodman
Work by Colin Gray
Book by Derek Boshier
The New Normal | Installation view - Main room
The New Normal | Installation view 

The New Normal | Vita Gallery One installation

Six pieces that are part of the New Normal show at the Vita Art Center in Ventura, California, October 1 to November 2, 2022

The New Normal | Jacquard Tapestry | 120 x 118 inches | 2022


In June of 2022 the judicial and political commentator Dahlia Lithwick wrote a piece entitled “The Country Has Finally Broken Me.” The title captured the exhaustion and sense of gloom after seeing, in recent years, the erosion of rationality and constructive purpose in the face of virulent irrationality, ghastly gun violence and the aggressive resurgence of ugly bigotry of every sort. But this, Lithwick laments, is “what life is now.” In this “new normal” the long held dream of an “arc of history” bending evermore toward justice seems suddenly and sadly quaint. Worse still, this disheartening new


Untitled (Umbrellas) | Oil on Panel | 60 x 42 inches | 2022

Untitled (Chairs) | Oil on Panel | 60 x 42 inches | 2022


These paintings reverse the common moralism in Western Art of the “Memento Mori.” In such pictures images of an earthly paradise - Arcadia - or of material luxury and voluptuous decadence - the Vanitas - are undercut by a scolding reminder of inevitable corruption and death. 

In contrast these pictures show a context of disfunction, social chaos, destructive nature and exhausted myths that is countered by an image of a simple, uncomplicated beauty. The consoling reminder of the beautiful penetrates the shroud of the dismal “new normal” and animates the drive to persist, to repair, to create.


Nadya Tolokonnikova | Oil on Panel | 16 x 16 inches | 2022


Nadya Tolokonnikova is an artist and musician and a founding member of the Russian anarchist, feminist group Pussy Riot. Following an provocative performance by the group in 2012 in the Moscow Cathedral she was arrested and sentenced to two years in prison. Her time in prison was marked by a long series of physical abuses and a hunger strike. During her incarceration Amnesty International declared her a prisoner of conscience. She was released in late 2013 after nearly two years in custody. In 2014 she won the Hannah Arendt Prize for Political Thought. 


Tiny Hands | Oil on Panel | 17 x 14 inches | 2016


The witty slogan appeared in protests following the infamous “Access Hollywood” recordings of Donald Trump bragging about his privilege as a celebrity to freely violate women. During the same 2016 campaign period he had bitterly complained about commentary regarding his diminutive hands. The cat’s head is drawn from a painting by Lucian Freud and symbolizes the target of Trump’s gropings.


Who Would Jesus Bomb? | Oil on Canvas | 96 x 62 | 2004-5


During the run-up to the Iraq War this classic anti-war slogan was widely seen in street demonstrations protesting the disastrous conflict to come. The figure’s pose mimics that of an important and mysterious ancient Babylonian artifact - pre-Christian and pre-Muslim. The so-called “Queen of the Night” escaped the looting of the Iraq Museum in Baghdad during the 2003 war. In response to that event Donald Rumsfeld, the Secretary of Defense, famously shrugged “stuff happens.”



Tuesday, July 26, 2022

6th St Banner Project - update

 In May, 2022 the 6th St. banners were updated with bilingual text.

6th St. Banners | June 23, 2022

6th St. Banners with updated text


Sunday, May 8, 2022

Cielo y Tierra at the Mexican Consulate Oxnard

 An exhibition of work presented at the Mexican Consulate in Oxnard, California.


Consulate Entrance with Tapestry | Claudia Patricia Gómez Gonzáles | 132 x 70 inches | 2021 

Exhibition Poster

Installation view with test tapestries for Claudia Patricia Gómez Gonzáles and Our Lady of Guadalupe

Installation view with three paintings: L to R  Jakelin Caal, Porvenir and Carlos Gregorio Hernández Vásquez
41 x 41 inches - Oil on Paper mounted on Panel - All

Installation view with painting of Claudia Patricia Gómez Gonzáles, 2021 and test tapestry
for Our Lady of Guadalupe made for St. Stephen Deacon and Martyr Church, El Paso, Texas, 2008

Installation view with test tapestries at L and R for figure and portrait detail for Our Lady of the Angels2021. 
Center: Portrait of M. | 29.5 x 48 inches | Oil on Canvas | 2022

Opening Night Cinco de Mayo celebrations. May 5, 2022






Wednesday, March 23, 2022

6th St. Banner Project - Los Angeles

 Three banners mounted above boarded up store fronts on 6th St. in L.A. adjacent to MacArthur Park.








Monday, September 13, 2021

Art and Hope at the End of the Tunnel at USC Fisher Museum

Two recent paintings, "Porvenir" and "Jakelin Caal," are part of a group show at the USC Fisher Museum of Art curated by Edward Goldman. The exhibition features work done in the last year during Covid lockdown. The exhibition runs to December 4th, 2021.

Friday, August 27, 2021

Friday, June 18, 2021

Elegies - Vita Art Center, Ventura

Elegies - Paintings - Drawings - Tapestries by David Kassan and John Nava - June 12 to August 14 2021


David Kassan | Pantings, Tapestry and Drawings | Vita Art Center, Ventura CA

John Nava | Pantings and Tapestry | Vita Art Center, Ventura CA

David Kassan | Pantings and Tapestry | Vita Art Center, Ventura CA

John Nava | Pantings and Tapestry | Vita Art Center, Ventura CA





Thursday, May 20, 2021

Border Pictures

These images remember some of those lost in the cruel politics of the southern border.

Along with David Kassan, these works will be part of an exhibition entitled Elegies that will open at the Vita Art Center in Ventura California on June 12, 2021


Jakelin Caal
  |  2021  |  Oil on Paper Mounted on Canvas  |  41 x 41 inches

Jakelin Amei Rosmery Caal died in the custody of U.S. Customs and Border Protection. The seven-year-old Guatemalan girl, along with her father, was part of group of 163 migrants who crossed the border at Antelope Wells, New Mexico in early December 2018 seeking asylum. Border agents ordered the migrants to be transferred 94 miles by bus to a station at Lordsburg, NM. Prior to leaving, Jakelin’s father notified authorities that she was ill and vomiting. She did not receive immediate care and emergency rescue (BORSTAR) was not called in. Instead, the hour and a half bus trip went forward, When they arrived at Lordsburg Jakelin was not breathing. After efforts to revive her, Jakelin was then flown to a hospital in El Paso, Texas, where she died.



Claudia Patricia Gómez Gonzáles  |  2020-21  |  Oil on Paper Mounted on Panel  |  88 x 48 inches

Claudia Patricia Gómez Gonzáles was killed by U.S. Border Patrol near Laredo, Texas in May, 2018. Claudia was a 20 year old student from Guatemala that had graduated from a program in forensic accounting. She had traveled to the U.S. in hopes of furthering her studies. She was an indigenous Maya-Mam woman and was with a group of other migrants when confronted by Border Patrol. The agent responsible claimed the group refused to get on the ground and instead rushed toward him. He claimed he fired in self-defense. Claudia was shot in the head. She was unarmed.



Carlos Gregorio Hernández Vásquez   |  2021  |  Oil on Paper Mounted on Panel  |  41 x 41 inches


Carlos Gregorio Hernández Vásquez died in the custody of U.S. Customs and Border Protection in May, 2019. There is video showing the healthy seeming 16-year-old boy from Guatemala crossing the Rio Grande by raft into the U.S.  Carlos was taken into custody by CBP at McAllen, Texas, on May 13. Despite U.S. law requiring migrant children to be transferred to Department of Health and Human Services (DHHS) custody within 72 hours, Carlos was held at McAllen for about a week. The processing center at McAllen had been plagued by “large numbers” of migrants with high fevers and flu symptoms. On Sunday, May 19, Carlos was diagnosed with flu symptoms and given Tamiflu. He was then moved from the processing center into border station custody the same day. There is video showing Carlos collapse in his cell that night .  He remained there unattended and was found dead on Monday morning.

 


Porvenir  |  2021  |  Oil on Paper Mounted on Canvas  |  41 x 41 inches


Porvenir was a small village in Texas near the Mexican border. In January of 1918, a contingent of Texas Rangers, U.S. Cavalry and a few white ranchers entered Porvenir. They seized fifteen men and boys, all unarmed, and murdered them at a nearby hill. The baseless pretext for the massacre was a raid on a nearby ranch a month earlier by Mexican bandits thought to be Villistas. The Porvenir villagers had nothing to do with the raid.

Porvenir means “the future” in Spanish. The grim irony of the name is that the events at Porvenir followed a pattern that has repeated itself to this day. When the killings were discovered an inquiry followed the standard course. The Rangers claimed they had acted in self-defense and were acquitted by a grand jury. The Ranger Captain who led the slaughter was reassigned. The Cavalry maintained that they were not involved and that it was the Rangers and ranchers that had executed the villagers. Modern investigations discovered U.S. Cavalry issue bullets and casings at the site of the atrocity. The fifteen victims ranged in age from 15 to 72.




Claudia Patricia Gómez Gonzáles  |  2021  |  Jacquard Tapestry (in studio)  |  132 x 70 inches

Detail - Claudia Patricia Gómez Gonzáles  Tapestry

This detail shows a verbatim news story from the time of the shooting that is woven into the tapestry version of the image